There is sci-fi and fantasy, but I say why build a new world? Historical fiction offers our world, but in a different time. All the writer has to do is a little research.
Okay. A lot of research.
Stories are about people. There is something I find fascinating about the lives or people in this world, yet of another time. The only problem is that the term itself - historical fiction - is often met with outstretched forefingers in the sign of the cross from wild-eyed agents and editors.
I find the genre fascinating and don’t understand it’s adverse connotation. Story is story and if you people them with intriguing characters and you place them in perilous situations, what does it matter if they are in a time long ago? Just to get around the negativity, I have to dress my stories up with a modern day time traveler in order to sneak in historical settings.
A while back, Susan Sherman contributed a post for Writer’s Digest entitled “Tackling Historical Fiction.”
Sherman starts her research in the map room of libraries. This is to get a good working knowledge of the geography of the story. The Internet can help in this regard, but the local university may offer more if the city library can’t provide.
Then she researches the big history, the major events going on at the time. That seems obvious. But it is in what she calls the “tiny history” that details emerge that bring the story to life. She asks herself a thousand questions to discover the minutiae of everyday life. She imagines arriving at one of her characters’s house and wonders, how she got there, in a cab a carriage or on horseback, if the road paved with cobblestones or is is mired in mud, if the house is lighted and if so by candle light or gas, if the place is in a good neighborhood or a slum. All these questions provides details of the time and place that give the story a sense of immediacy and reality.
Sherman warns that we must be careful not to let the research show and turn the whole thing into a history lesson info dump. The writer can’t show off the amount of research they’ve done. The trick is to provide enough description to flesh out the character and give life to the world, without burdening the reader with unnecessary details.
The nature of historical fiction, its limits of an earlier time, does allow the writer some advantages. Authors are supposed to create difficulties for their characters. In addition to the conflicts, barriers, and misunderstandings characters in any novel can face, there were no cell phones or Google to provide the quick fixes our modern day characters may employ. Using a smart phone to locate a Starbucks in a foreign part of town is much easier than sailing to the Far East when an unchartered American continent gets in your way.
Whether as a reader or a writer, there is pleasure in seeing real people dealing with day-to-day living in times long ago.
(This article also posted at http://utahchildrenswriters.blogspot.com)